While calling their new album Closed Knuckle Jaw polished would accurately describe Ryan Granger's clean, confident riffing, their music still feels greasy in the best possible way. The blues rock answer to power duos like Sleigh Bells, Cults, and Sylvan Esso, the Grizzled Mighty's primary conceit is powerful electric guitar, heavy drums, and wailing vocals. The Grizzled Mighty: Closed Knuckle Jaw Release Show
The concert also gives fans a chance to hear new tunes from Carlile's upcoming album The Firewatcher's Daughter, which arrives on March 3. Absolutely no talking." At this special "Pin Drop" show (and KEXP fundraiser), beloved Seattle songwriter Brandi Carlile will play the cavernous confines of the Moore Theatre only using acoustic instruments without the aid of any amplification.
#SEATTLE OPERA SEMELE FREE#
She heads to Sonic Boom for a free in-store performance before moseying the short distance over to Sunset Tavern for a concert with Sonny and the Sunsets and Wimps. Growing up can be a bummer, but Green helps it go down smooth (with a little attitude). Her infectious guitar and drum machine pop rock shifts its focus from the love songs of the fabulous Sock It to Me to catchy self-reflections on adulthood. While still a stoner rock queen at heart, Colleen Green gets more introspective on her latest Hardly Art album I Want to Grow Up.
Jet City Improv Theater, $18 festival pass $60. Italy?) create comedy out of thin air for 12 electrifying and wholly unique performances over five nights. More than 30 top troupes from around the country ( and. At the Seattle Festival of Improv Theater, each twist and turn is spontaneous and unexpected (even for the performers). Christina’s CD “The Seven” is available on CD Baby and improv show is a one-time-only event, and that impermanence lends the medium its thrill. Her many concert engagements include performances in repertoire ranging from Bach, Beethoven, Mozart, Wagner and Puccini to Mahler and Strauss and a recent critically acclaimed performance of Wagner’s Wesendonck Lieder with the Vancouver Symphony. She has a long-standing relationship with Skagit Opera where she has sung Adina in E’lisir d’Amore, Rosalinda in Fledermaus, Nedda in Pagliacci, Mimi in La Boheme, the First Lady in The Magic Flute and the title roles in Madama Butterfly, Tosca and Norma. Other major engagements include: Marguerite in Faust with Opera Pacifica Micaela in Carmen and Lauretta in Gianni Schicci with Vashon Opera and the title role of Semele with Stephen Stubbs’s Pacific MusicWorks. She has sung lead roles with almost every regional opera company, possessing a wide-ranging repertoire from Handel to Wagner.Ĭhristina lists her favorite roles as Mimi, the Contessa and Cio Cio San, which she has performed with the Seattle Opera Guild, the Portland Summer Fest, Kitsap Opera, Skagit Opera, Washington East Opera and Rogue Opera. German-born Christina Kowalski-Holien (soprano) is known for the unique dark timbre of her voice, the “glowing heights and warm depths” which have excited audiences in the United States and Europe, and has made her one of the most sought-after singers in the Pacific Northwest.
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